JUXTAPOZ MAGAZINE
PUBLICATION REDESIGN
Complete Magazine:
Started in 1994 by a group of artists and art collectors including Robert Williams, Fausto Vitello, C.R. Stecyk III, Greg Escalante, and Eric Swenson to both help define and celebrate urban alternative and underground contemporary art.
The ideal reader of “Juxtapoz” magazine is someone
who has an interest in art, design and culture, but perhaps has strayed away from this type of literature because they have only been exposed to high brow pulications like “Art Forum” or “Art America.” There is a fine line between being inspired and feeling like an idiot and “Juxtapoz” bridges the gap by showcasing art that both the idiot and the expert alike can enjoy.
“The whole point of what we're still trying to do is to
make sure that all of the art that is happening in the
world is connected, and that you don't necessarily have
to have some sort of separation between high and low
cultures....And we were always told what art is important, and what art you are supposed to go see, but what Robert wanted to do was to create an art magazine,
and an art history, that celebrated the art that we live with.”
-Evan Pricco
Started in 1994 by a group of artists and art collectors including Robert Williams, Fausto Vitello, C.R. Stecyk III, Greg Escalante, and Eric Swenson to both help define and celebrate urban alternative and underground contemporary art.
The ideal reader of “Juxtapoz” magazine is someone
who has an interest in art, design and culture, but perhaps has strayed away from this type of literature because they have only been exposed to high brow pulications like “Art Forum” or “Art America.” There is a fine line between being inspired and feeling like an idiot and “Juxtapoz” bridges the gap by showcasing art that both the idiot and the expert alike can enjoy.
“The whole point of what we're still trying to do is to
make sure that all of the art that is happening in the
world is connected, and that you don't necessarily have
to have some sort of separation between high and low
cultures....And we were always told what art is important, and what art you are supposed to go see, but what Robert wanted to do was to create an art magazine,
and an art history, that celebrated the art that we live with.”
-Evan Pricco
